• Film graphic
• Cinematic artwork

Retro graphic

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Film graphic

Speaking of opportunities, during our time spent with MinaLima, we got wind that the studio will soon start work on the third Fantastic Beasts movie, for which they will be recruiting in the not-so-distant future.

“Landing your next job is quite exhilarating! If it’s a new production designer, before I interview or when I get the call, the very first thing I do is research him or her and the director. That sets the time for the approach of the project. Once the deal is made, it’s time to dig in after the NDA is signed. I would read the script to get an overall scope of the movie, but immediately go back to take carefully detailed notes. Every word and scenario has to be interpreted and cross-checked with the production designer because he would already have an idea of the graphics. My hope is that we would be on the same path or at least close. When there are specific scripted terms or descriptions that need further clarification, we then go to the director and writers.

It’s no exaggeration to say these guys are legends within the graphic design film world, but they haven’t let it go their heads. Instead, they remain extremely grounded, and have an undeniable warmth and passion, not only for the art of design itself, but for helping others become part of this highly creative world.

Speaking of opportunities, during our time spent with MinaLima, we got wind that the studio will soon start work on the third Fantastic Beasts movie, for which they will be recruiting in the not-so-distant future.

“Landing your next job is quite exhilarating! If it’s a new production designer, before I interview or when I get the call, the very first thing I do is research him or her and the director. That sets the time for the approach of the project. Once the deal is made, it’s time to dig in after the NDA is signed. I would read the script to get an overall scope of the movie, but immediately go back to take carefully detailed notes. Every word and scenario has to be interpreted and cross-checked with the production designer because he would already have an idea of the graphics. My hope is that we would be on the same path or at least close. When there are specific scripted terms or descriptions that need further clarification, we then go to the director and writers.

Cinematic artwork

There’s a certain thrill that comes with spotting art in movies… Perhaps it’s the removal from typical settings, allowing us to see art on screen instead of within the usual museums and galleries. Or maybe it’s the meeting of two art forms, building off of each other to produce something even better. Either way, the intersection of cinema and art far exceeds the few examples listed above. To discover more, find out which 10 movies were inspired by famous artworks with Artsper…

Although it appears to be veritably inscribed in the artistic tradition, the artwork was in fact commissioned by Wes Anderson in 2014. It’s not the work of a Northern Renaissance painter, but rather that of Michael Taylor, a 21st century British artist.

The great art house filmmaker Michelangelo Antonioni hated when his peers talked about “writing a film.” He preferred the term “painting a film”—telling a story not with words, but colors, camera angles, and meticulously composed frames.

However, before the film becomes the artistic past we believed to be lost forever, art has already made its way into the plot. As Gil and Inez, our main characters, roam around Paris, they inevitably stop by the Musée Rodin. Known for its outdoor sculptures, the museum provides an interesting backdrop for an intellectual dispute over Rodin’s life story. As the conversation takes greater proportions, we come to recognize that the experience of viewing art needn’t always be informed by biographical details. Most of the time, masterpieces such as The Thinker can stand on their own, only heightened by the additional information of their origin.